Listen, if you don’t respect the space, you’re eventually going to lose the space. It’s a simple math equation that we keep trying to solve with long division and glitter. I remember when going to the Black Rodeo was about heritage, community, and seeing who had the baddest horse in the circuit. Now? I’m walking through the gates feeling like I accidentally stumbled into a casting call for a music video that’s definitely going to get age-restricted on YouTube.
We are at a crossroads, family. The Black Rodeo, a staple of our culture that dates back to the real-life Bill Pickett days, is undergoing a “reset,” but not the kind that fixes the glitches. We’re talking about a full-on system crash where the fashion is getting louder, the clothes are getting smaller, and the actual rodeo is becoming background noise for someone’s “Get Ready With Me” TikTok. If we aren’t careful, the very thing that made us special is going to be the thing that gets us locked out of the arena.
The “Ass Out, Prints Out” Epidemic
Let’s talk about the elephant in the room, or rather, the cheeks in the wind. I’m all for body positivity and looking fly, but since when did the rodeo become an exotic dance convention? I walked past a booth the other day and genuinely couldn’t tell if I was at a livestock show or a mid-day shift at a club in ATL.
We’ve moved from starched Wranglers and crisp button-downs to “ass out, prints out.” You’ve got sisters in chaps with absolutely nothing under them but a prayer and some spirit gum. You’ve got brothers in leather vests with no shirts, looking like they’re ready to audition for a disco-themed heist movie. And look, I get it, it’s hot in Texas. The sun is disrespectful. But there are grandmas present. There are three-year-olds eating funnel cakes.

The over-sexualization of the space is reaching a boiling point. We used to have a “rodeo fit” that meant “I’m here to look good, but I can also jump a fence if a bull gets loose.” Now, the fits are so restrictive and scandalous that half the crowd can’t even sit down in the bleachers without a wardrobe malfunction. We’ve traded class for “clout,” and in the process, we’re making the elders, the ones who actually kept this tradition alive, feel like they don’t belong in their own house.
Gentle Parenting vs. Untrained Energy
It’s not just the outfits; it’s the atmosphere. There’s a heated debate bubbling up in the community about “gentle parenting” versus what I like to call “untrained energy” at these events. The rodeo used to be a place where the village raised the child. If you were acting up near the stables, someone’s auntie, who wasn’t even related to you, would give you “The Look,” and you’d immediately straighten up.
Nowadays? We’ve got kids running wild, scaring the horses, and parents staring at their phones trying to find the best filter for their neon cowboy hat. The source video hit the nail on the head: there’s a lack of standards being passed down. When the adults are focused on being “over-exposed” fashion icons, the kids are left to figure out the culture on their own. And shocker, they aren’t figuring it out. They’re just seeing the rodeo as a giant playground where the rules don’t apply.

If we don’t teach the next generation that this is a place of discipline, skill, and history, they’re just going to see it as a backdrop for a party. And when the party gets too loud, the neighbors (or in this case, the city officials) start looking for reasons to shut it down.
NYC Glitz vs. Texas Dirt
Speaking of the “culture” moving away from its roots, did y’all see the Houston Rodeo 2026 lineup announcement? They did it in Times Square. In New York. Now, I’m an entertainment guy, I love a big stage. But New York? For a Texas rodeo? That’s like announcing a new BBQ sauce in the middle of a vegan festival in Portland. It just doesn’t sit right.
The research shows that locals are feeling the fatigue. We’re spending millions to get “global reach” and “cultural relevance” in cities that don’t even know what a spur is, while the actual fans at home are dealing with security issues, fights in the carnival, and rising prices. You can check out our price list for what real entertainment coverage should look like, but the point remains: when you focus more on how the world sees you than how your community feels, you’ve already lost the plot.

We are chasing the “glitz and glamour” while the dirt under our feet is getting neglected. The NYC pop-up was cute for the ‘Gram, but it didn’t do anything for the family who’s been coming to the Houston Rodeo for four generations and now feels priced out or pushed out by the “new” crowd that’s only there for the aesthetic.
Bring Back the Janet Jackson Vibe
I’m calling for a return to class. And no, I don’t mean we all need to wear tuxedos to the dirt pit. I’m talking about that 90s Janet Jackson energy: the baggy jeans, the oversized jackets, the “I’m cool without trying to be naked” vibe. There was a time when being fly meant having a silhouette that left something to the imagination.

We need to get back to the “vibrant but tasteful” look. Think high-saturation Texas sunsets: deep oranges, neon blues, and rich purples: but on clothes that actually cover your vitals. You can be loud without being lewd. You can be stylish without being a distraction to the actual sport. The Black Rodeo is supposed to be a showcase of Black excellence and cowboy culture, not a competition to see who can fit the most rhinestones on a bikini string.
The Fatigue is Real
The community fatigue is real, y’all. People are tired of every Black space being turned into a “content house.” When you turn a cultural pillar into a fashion show, you invite people who don’t care about the culture. They just want the photo. And once they get the photo, they leave the trash, they ignore the history, and they move on to the next trend.

We see this happening in West Coast Hip Hop all the time. A sound becomes popular, the “culture vultures” swoop in to dress the part, and suddenly the original creators can’t even afford to get into the building. If we keep allowing the Black Rodeo to be “over-exposed” in all the wrong ways, we are handing over the keys to people who will sell our heritage back to us at a premium.
Full Circle: Respect the Space
At the end of the day, I love us. I love our flair. I love that we can take a cowboy hat and make it look like high fashion. But we have to remember why we’re there in the first place. The rodeo isn’t just a party; it’s a testament to Black resilience and skill in a world that tried to erase the Black cowboy from the history books.
When we show up “ass out” and let our kids run wild, we are inadvertently giving the critics exactly what they want. We’re giving the city a reason to increase security, the sponsors a reason to pull out, and the elders a reason to stay home.
If we don’t respect the space, we lose the space. It’s time for a “Rodeo Reset” that actually honors the dirt we’re standing on. Let’s bring back the class, reign in the “untrained energy,” and remember that the most important thing at the rodeo isn’t the outfit: it’s the legacy.
Stay fly, but stay covered. See y’all at the next one.





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